The Waters of March is playing out of the speakers here at Parsley (an Indonesian bakery-cafe chain), reminding me of NPR soundtracks on the drive from my parents' home over the river to our relatives' homes in South Jersey. Although the song was introduced in the context of jazz singer Susannah McCorkle's suicide, it reminds me of home and consistency -- the calming vibrations of the tires gracing the road surface, and curling in a fetal position in the back of the car as my parents drove towards our family's holiday-oriented gatherings and odd articulations of tradition.
Last night, as I lay in a fetal position -- the only vibrations coming from sickness-intensified pulse, as if my heart shouts to the rest of my body that it is still pumping, like a coxswain to its vessel -- the dull ache of my body breaking my mind's tendency to weave context and situate each experience in some kind of narrative. Sitting here, resuscitated and once again able to drink coffee, I can't help but think about the tempos and periodicity of my body's traumas, but last night, the pain and pulse trapped me in "the moment". With the strength and comfort to analyze and contextualize, I think back to the first time I was sick here in Yogya. In 2004, during my first few days in the country, my body revolted against the cigarette smoke, pollution, noise, and severe decrease in personal space, and I wretched out all of my discomfort into the flower beds in front of the cell phone market.
Yesterday, I could feel my body tense with the desire to clear out all digestive and foreign matter. Aware of the potential bed-ridden evening-to-come, I raced on my motorbike to the mall where I intended to buy a DVD or two so that I could lay in bed with something to distract me from the pain. Bad bad idea. As soon as I stepped foot into the food court, the noise, sights, and smells of food and cigarettes -- things that I don't seem to notice when I'm feeling healthy -- shook my sensitive body, and I walked quickly to the front entrance so I could sit down outside and calm down. Feeling slightly better, I slipped back inside, and decided to head to a cafe, which I thought would be serene in contrast to the rest of the mall. The hot peppermint tisane was not as soothing as I imagined, and the whir-grind of the espresso machine challenged my body's ability to hold down the maelstrom. I imagine I looked quite pale, and my upper lip was dotted with sweat as I paid my bill and rushed to the bathrooms. For a second time in Yogya, I threw up uncontrollably in public. Fortunately, I was in a clean toilet stall in the mall where I received a little privacy (although the retching noise produced by my body echoed throughout the bathroom). When it finally ended, I flushed a final time, washed my hands, checked my stress-blotched face for traces of what had happened, and rushed down to the parking area. No DVD. I went straight home, locked my door, got my water bottle and laptop, and curled into a fetal position.
As I learned in Jakarta, a fever, throwing up, and dehydration are the ingredients for hallucinations. I tried to sleep after watching a few episodes of 30 Rock on my laptop, and I quickly settled into a strange succession of what I thought were bad dreams, and then I realized that I wasn't sleeping, and that I was receiving cryptic riddles which, once solved, would allow me to find the comfort I needed to sleep. Rather than the directions for rolling my body into difficult geometric patterns -- a kind of tetris-gymnastics which I was convinced would take away the pain and allow me to sleep -- which were the main part of my hallucinations in Jakarta, last night had to do with different spiritual traditions from across Java. I was convinced that each town had a different style of wrapping themselves in the sheet and blanket (conveniently in the exact pair that I own!), positioned between the pillows and the fan in a similar way in which Yogya is positioned between Parangtritis, the beach, and Mt. Merapi, the volcano. I struggled with the blankets, trying to figure out the riddles in my mind about culture, spirits and traditions. Finally, I rolled over, saw on my cell phone that it was already 2:30 in the morning, and was hit by the reality that I was just laying in my bed, dehydrated and aching. I drank some water, took an ibuprofen, and gradually drifted into a relaxed slumber.
To be sick, and to loose control of my body is both infantilizing and humbling. Leaning over a toilet, or a patch of impatiens, it is a reminder that I do not always take the best care of myself, or that sometimes I need help taking care of myself. It feels as if I have regressed, since I've always considered myself to be independent, and I associate the depth of one's independence with their maturity. Just as our age increases in a linear movement, I have often felt that independence and responsibility increase in a linear fashion, following a consistent, progressing tempo. Yet in these moments during my time abroad when my body is so explicitly vulnerable, and I'm shaken out of the schedules I've created around my body, I'm reminded that independence, and the states of being a child and being an adult are not always so clear. I can crawl into a fetal position, and whether lulled to sleep by the vibrations of the car, the warm beat of jazz, or the hum of my sick body, I find a syncopation in the rhythm of progress. It has been a consistent syncopation here in Indonesia, where I'm quickly reminded that as independent as I become with my language, transportation, schedule and research, the shell that gives me the sense of being an autonomous being is really just a semi-impermeable membrane, and I'm still part of an organic tapestry. Inoculations, antibiotics, and flashy, travel-related vitamin supplements will not protect me from illness. Exercise, sleep, and a healthy diet cannot keep everything stable and consistent within my body, and it is these moments when the tempo radically shifts out of my control -- and I crawl back into a fetal position -- that I must try to find humility in my dependence on others.